| Meilleure actrice aux Oscars |
| ANNÉE |
MEILLEURE ACTRICE |
| |
|
| 1928-1929 |
Janet Gaynor, l'Heure suprême (Seventh Heaven); l'Ange de la rue (Street Angel); l'Aurore (Sunrise) |
| 1929-1930 |
Mary Pickford, Coquette |
| 1930-1931 |
Norma Shearer, la Divorcée (The Divorcee) |
| 1931-1932 |
Marie Dressler, Min and Bill |
| 1932-1933 |
Helen Hayes, la Faute de Madelon Claudet (The Sin of Madelon Claudet) |
| 1933-1934 |
Katharine Hepburn, Morning Glory |
| 1935 |
Claudette Colbert, New York-Miami (It Happened One Night) |
| 1936 |
Bette Davis, l'Intruse (Dangerous) |
| 1937 |
Luise Rainer, le Grand Ziegfeld (The Great Ziegfeld) |
| 1938 |
Luise Rainer, Visages d'Orient (The Good Earth) |
| 1939 |
Bette Davis, l'Insoumise (Jezebel) |
| 1940 |
Vivien Leigh, Autant en emporte le vent (Gone With the Wind) |
| 1941 |
Ginger Rogers, Kitty Foyle |
| 1942 |
Joan Fontaine, Soupçons (Suspicion) |
| 1943 |
Greer Garson, Madame Miniver (Mrs. Miniver) |
| 1944 |
Jennifer Jones, le Chant de Bernadette (The Song of Bernadette) |
| 1945 |
Ingrid Bergman, Hantise (Gaslight) |
| 1946 |
Joan Crawford, le Roman de Mildred Pierce (Mildred Pierce) |
| 1947 |
Olivia De Havilland, À chacun son destin (To Each His Own) |
| 1948 |
Loretta Young, Ma femme est un grand homme (The Farmer's Daughter) |
| 1949 |
Jane Wyman, Johnny Belinda |
| 1950 |
Olivia De Havilland, l'Héritière (The Heiress) |
| 1951 |
Judy Holliday, Comment l'esprit vient aux femmes (Born Yesterday) |
| 1952 |
Vivien Leigh, Un tramway nommé Désir (A Streetcar Named Desire) |
| 1953 |
Shirley Booth, Reviens petite Sheba (Come Back, Little Sheba) |
| 1954 |
Audrey Hepburn, Vacances romaines (Roman Holiday) |
| 1955 |
Grace Kelly, Une fille de la province (The Country Girl) |
| 1956 |
Anna Magnani, la Rose tatouée (The Rose Tattoo) |
| 1957 |
Ingrid Bergman, Anastasia |
| 1958 |
Joanne Woodward, les Trois Visages d'Ève (The Three Faces of Eve) |
| 1959 |
Susan Hayward, Je veux vivre (I Want to Live !) |
| 1960 |
Simone Signoret, les Chemins de la haute ville (Room at the Top) |
| 1961 |
Elizabeth Taylor, la Vénus au vison (Butterfield 8) |
| 1962 |
Sophia Loren, la Ciociara (Two Women) |
| 1963 |
Anne Bancroft, Miracle en Alabama (The Miracle Worker) |
| 1964 |
Patricia Neal, le Plus Sauvage d'entre tous (Hud) |
| 1965 |
Julie Andrews, Mary Poppins |
| 1966 |
Julie Christie, Darling |
| 1967 |
Elizabeth Taylor, Qui a peur de Virginia Woolf ? (Who's Afraid of Virginia Woolf ?) |
| 1968 |
Katharine Hepburn, Devine qui vient dîner (Guess Who's Coming To Dinner) |
| 1969 |
Katharine Hepburn, Un lion en hiver (The Lion in Winter) Barbra Streisand, Funny Girl |
| 1970 |
Maggie Smith, les Belles Années de Miss Brodie (The Prime of Miss Jean Brodie) |
| 1971 |
Glenda Jackson, Love (Women in Love) |
| 1972 |
Jane Fonda, Klute |
| 1973 |
Liza Minnelli, Cabaret |
| 1974 |
Glenda Jackson, Une maîtresse dans les bras, une femme sur le dos (Touch of Class) |
| 1975 |
Ellen Burstyn, Alice n'est plus ici (Alice Doesn't Live Here Anymore) |
| 1976 |
Louise Fletcher, Vol au-dessus d'un nid de coucou (One Flew Over the Cuckoo's Nest) |
| 1977 |
Faye Dunaway, Network |
| 1978 |
Diane Keaton, Annie Hall |
| 1979 |
Jane Fonda, le Retour (Coming Home) |
| 1980 |
Sally Field, Norma Rae |
| 1981 |
Sissy Spacek, Nashville Lady (Coal Miner's Daughter) |
| 1982 |
Katharine Hepburn, la Maison du lac (On Golden Pond) |
| 1983 |
Meryl Streep, le Choix de Sophie (Sophie's Choice) |
| 1984 |
Shirley MacLaine, Tendres Passions (Terms of Endearment) |
| 1985 |
Sally Field, les Saisons du cœur (Places in the Heart) |
| 1986 |
Geraldine Page, Mémoires du Texas (The Trip to Bountiful) |
| 1987 |
Marlee Matlin, les Enfants du silence (Children of a Lesser God) |
| 1988 |
Cher, Éclair de lune (Moonstruck) |
| 1989 |
Jodie Foster, les Accusés (The Accused) |
| 1990 |
Jessica Tandy, Miss Daisy et son chauffeur (Driving Miss Daisy) |
| 1991 |
Kathy Bates, Misery |
| 1992 |
Jodie Foster, le Silence des agneaux (The Silence of the Lambs) |
| 1993 |
Emma Thompson, Retour à Howards End |
| 1994 |
Holly Hunter, la leçon de piano |
| 1995 |
Jessica Lange, Blue Sky |
| 1996 |
Susan Sarandon, la Dernière Marche |
| 1997 |
Frances McDormand, Fargo |
| 1998 |
Helen Hunt, Pour le pire et pour le meilleur (As Good as it Gets) |
